At this point in time, this is likely to be one of the lesser known acts I will be writing about in this series on Pacific Northwest music legends. On the other hand, they were big nationally, a #1 with a bullet act, in the pre-British invasion years.
Now, almost everyone who knows Seattle's history will think of the jazz clubs of the 1940's and 1950's, the birth of garage bands in the 1960's and, of course, Hendrix and more recently grunge. Most people probably do not know that an act from the Pacific Northwest was one of the first big doo-wop groups.
Doo-wop from the northwest? You betcha! The band was the Fleetwoods -- one guy (Gary Troxel) and two blond girls (Barbara Ellis and Gretchen Christopher). In that era, the pre-fix for telephone numbers in Olympia was "Fleetwood", hence the name. The kids met while attending high school in Olympia in the late 1950's. Their first big hit -- and it was a smash -- was released in 1959 on a Seattle record label, Dolphin. Pat O' Day at KJR had lots to do with the success of this initial release.
The song was called "Come Softly to Me." The Fleetwoods had a smooth sound and Come Softly to Me sold a million and went gold. They had another good-sized hit with Mr. Blue. They were the first group to ever have two #1 songs in the same year -- 1959. They had a few other releases, but none that hit like those first two.
The performers, for the most part, stayed here in the Pacific Northwest. Gary Troxel worked as a longshoreman in Anacortes. Gretchen Christopher seems to have stayed near Olympia. I always thought it must be strange to go from instant fame back to working a less glamorous job. How weird -- Imagine that you are sitting with friends in the lunch room and your former #1 smash comes on the oldies station, or maybe you are in the theater and your song is in a blockbuster like American Graffiti. Do you nudge everyone nearby and say "hey that is me" or do you smile inside, or do you wonder what circumstances might have led to greater fame and fortune?
Today, from what I have read, it seems that there is a dispute going on over who has the rights to the Fleetwood name. Gary Troxel has a Fleetwoods website, but Gretchen Christopher has one too. It looks like anyone, who was interested, could hire a group called the Fleetwoods to work parties and events. One group would feature Gary, the other would feature Gretchen.
There is no question about it, one of the biggest moments in the history of the original Fleetwoods was an appearance on American Bandstand and we are in luck.
Thanks to youtube, we will turn back the clock to the year 1959 -- I was seven years old.
Ladies and gentlemen, the Pacific Northwest's own #1 doo-wop act, the Fleetwoods from Olympia, Washington.
For more "Stories Behind the Music" click on the guitar 
Steven L. Smith
Bellingham WA Home Inspections
This blog, in my series on Pacific Northwest Music Legends, is the only one I will write featuring a person who is famous on the northwest music scene but not famous, specifically, as a musician. This man is a very important figure in northwest rock n' roll history. He was a star-maker during the 1950's, 1960's and into at least the 1970's. There is no question about it, he was the most famous, and powerful, disc jockey and radio professional, ever, in Washington State. I am talking Pat O' Day.
I lived on the west side of the mountains and grew up during the 1960's listening to AM Channel 95, KJR Seattle and Pat O' Day. If you have any interest in the formative years of rock music history, like crazy inside stories about early rock or radio, then Pat has written a book that you will love -- especially if you grew up listening to Pat. The cover from the book is below -- Pat with Jimi Hendrix on the cover.

Pat's story is interesting. As a youngster, relatively speaking, he worked as a deejay in Astoria, Oregon -- a small coastal town. Before long, he was hired at major market station, KJR, Seattle. This legendary radio station, under Pat's tutelage, become dominant in Seattle -- to this day no station has matched the audience share that KJR could deliver. Heck, I listened to it in Bellingham, 100 miles away. During Pat's reign, he developed some of the best air personalities of the rock era. Pat also broke regional songs, giving chart momentum to northwest artists. This man had power in the industry with the clout of KJR behind him. Pat also formed Concerts West. The firm promoted concerts for the most popular acts of that era. Jimi Hendrix was one of many performers contracted to Concerts West.
In Pat's book, "It Was All Just Rock n' Roll" he talked about meeting Jimi Hendrix for the first time. At the time, Pat was a KJR employee and also privately sponsoring teen dances in the Seattle area. There was a problem with amplifiers of that vintage. An amp would blow and it would create no end of problems for the bands who would then be down one instrument.
One day, a skinny kid at the dance told Pat that he had backup equipment in his car. If anything should happen during a concert, he would loan the band his backup equipment. The kid had one condition -- if that should ever happen, and they borrowed his gear, then he would get to "jam" with the band. The kid showed up at all the dances. One weekend, something met an untimely demise and this kid went out and brought in the backup equipment. As was agreed in advance, he was allowed to play along with the band.
Pat forgot all about that kid until, a few years later, he met the rising rock star Jimi Hendrix. Jimi, at that time, told Pat that he was that skinny kid from out of the past.
Pat is also famous for being an announcer of the unlimited hydroplane races in Seattle. To see a special on that 40 plus year career, along with footage dedicated to Pat's rock n' radio career, check out this video.
This will be an interesting tidbit for AR members: For several years now Pat has owned a real estate office in Friday Harbor on the gorgeous San Juan Islands. Here is his website and, if you have any inkling of interest in the formative years of rock n' roll or lived in the northwest during the glory days of KJR, read his book. I thought that it was great fun. And, of course, I was right!
Steven L. Smith
Bellingham WA Home Inspections

Talk about great participation, a world event, there are teams from Japan, Canada, Hawaii, Boston, Michigan, Utah, Illinois and other states. I attended today and all of the teams were playing with great vigor and making a sporting time of it, win or lose.
The weather was cooperating and beautiful. The teams are playing at the Northwest Soccer Park, a nice grassy field. To get there, drive north from Bellingham on Northwest Avenue. All the signs and cars will let you know that you have arrived at the big event. It is near the county planning office on Northwest Avenue. Food and concessions are being sold on-site.

Try to catch the fun, and watch a game, if you can.

Do any Active Rain members recognize this AR, and soccer, superstar?
Steven L. Smith
Bellingham WA Home Inspections
This is another in a series of articles on Pacific Northwest music legends. So far, response has been good, so I plan to write more. Today's artist was not born or raised in Seattle. He moved to Seattle as a teen and considered the Seattle jazz scene of the 1940's as crucial in his development and career.
Ray Charles Robinson was born in Georgia but spent his childhood in Florida. Many music historians believe that the artist later known only as Ray Charles or The Genius, had more to do with changing music than any other performer. Step aside Dylan and the Beatles. Ray Charles combined gospel with blues and jazz, later country, and that was crucial to the development of early rock n' roll. Back then, music was segregated. There was music recorded for white kids and there was "race" music. The race music, played by African American artists like Ray Charles, is what the white kids wanted to hear. Their parents, on the other hand, wanted to limit exposure to those songs, except for a few race songs that were fed to them by white cover artists like Pat Boone. One of Ray's first national hits, and a true classic, combines all of those elements -- blues, jazz and gospel -- into a huge pop hit. This was Ray Charles at his best, early in his career.
Ray Charles lost his vision, undiagnosed glaucoma, when he was six years old. His mother sent him to a school for the blind in St Augustine Florida. Years passed, Charles did well at the school and then his mother died when he was 15. At 18, he had had enough of Florida and wanted to move. A map was put on the table and a line was drawn, one corner of the USA to the other, and Seattle was chosen as the destination.
A young lanky Charles played on Jackson Street, at Pioneer Square, for about two years. Part of that time he mimicked Nat King Cole, a big star of the era, and he was pretty good at it. But it was in Seattle that Charles began to meld together the different forms of music that would later be his legend. It is hard to believe, if you know Seattle now, but it was a real jazz town in the 1940's after the war. There were 30 jazz clubs and they were open 24 hours a day. All of the biggest stars dropped in to do their gigs, including Louis Armstrong.
Charles continued to work in Seattle and experiment with his music. In 1950, after having cut a record in Seattle that was not really a hit but it got the attention of bigger fish, Charles moved on to LA. He was billed as "the blind singing sensation". His first big hit landed in 1954 -- a 78 RPM recording called I Got A Woman. The tune was recorded with a seven piece band at a radio station. That was the beginning of a stellar career.
When Ray passed away in 2004, he was universally acclaimed as the genius. The video below, which is probably more jazz than blues, was always one of my favorite Ray Charles classics. I loved playing it on the radio, when I was a disc jockey. Realistically, music doesn't get much more original than the early cutting edge Ray Charles songs. This man was, perhaps more so than any other, the creator of the music that is now called rock n' roll.
Steven L. Smith
Bellingham WA Home Inspections
In the past, I have done a few blogs about entertainers who were famous here in the Pacific Northwest. These have always received interest and comments. Many people do not know it but, over the years, the Seattle area has produced some of the biggest names in musical entertainment. In some cases those musicians were born elsewhere and found fame in Seattle. Other times, it was the other way around:They were raised in Seattle but found fame elsewhere.
I plan to, as time allows, write a few interactive (thanks to youtube) articles on some of these famous performers. We will start with the heavyweight of them all. You might be thinking Jimi Hendrix. Nope, think again. Think Bing Crosby.
The first big name crooner was born in Tacoma. Bing (real name Harry), as a youth, moved to Spokane to study law at Gonzaga University. Ends up that, while in Spokane, he also played with a local band. Bing moved to LA to play and sing and, in the early 30's, a recording he made fell into the hands of the president of CBS. A crooner was born!
Ever heard the term "crooner" and wondered what it really meant? Well, best as I can figure, a crooner was a performer who learned how to use a microphone to his advantage. In the early days of singing, having a booming voice that would fill an auditorium was a must. After radio came into play, volume had little to do with it. A whisper could be amplified to an audible level so some of the crooners were more "intimate" or one to one. Subtle nuances were the rage. Bing was the master of this and, by some accounts, he is the most recorded human voice on earth, even today.
Below is a video of his single most famous song -- White Christmas. I know, not the right season, but his song is/was a monster. As someone who worked in radio, I read over and over in all the trade magazines that this was the best selling record of all time. Forget the Stones and the Beatles and Elvis. We were talking White Christmas by Bing. As a followup, it is my understanding that in the last few years White Christmas has dropped to number two. Elton John's tribute to Lady Diana -- Candle In the Wind -- has since bumped White Christmas out of that top spot. To see other articles in this series, click here.
Steven L. Smith
Bellingham WA Home Inspections
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